Books – a new way to destroy them

Guy Laramee creation
Petra in paper

Guy Laramee has found an unsettling way to keep books out of the landfill and bonfire. It is clever and decidedly artistic, yet somehow barbaric. Perhaps it is a sign of our times that society has become so fearful,conservative even regressive, that ancient stone, cave dwellings and archaic justice seem attractive,even idyllic.

Beside me sits a 1968 set of Britannica books, all of them. I bought them new but seldom use them, except to compare their scholarship to the online Wikipedia versions. Certainly there are valuable papers being published and it is much easier to type a question than drag out a ten pound volume (and who in their right mind would carry a set around with them to the park bench or favorite fishing spot?), yet I did move them abroad and from coast to desert. So maybe that says something about my own mental state. Perhaps I am the one who is too stuck in the past, too anxious about our future.

What if those obsolete books are only good for carving, like fine old wood, and Laramee has given us a new way of preserving them, a lasting tribute to the Gutenberg revolution. Surely the content is already buried in the pile of culture so deep it cannot be retrieved in any useful form.

I urge you to visit his sites and thank Visual News for publishing it.

Locations of visitors to this page     Have a look at Carole Estrup Gallery & Bookstore

Native American Heritage Day

In honor of Native American Heritage Day (27 November) we list a couple of amazing sculptures by Allen and Patty Eckman of South Dakota. Made of pressed paper, many are life-sized, others in 1/6 scale. Highly successful, the couple also creates historical figures and ornate flowers.


Riders on the Wind



 This has been a good year for redressing Native injustices, the Alaska adoption ruling and payment (finally) to farmers denied fair government treatment to name a couple of cases.

Here is to the stronghearts and the wind. Let their efforts and legacy bring on a brave, clear-eyed  New Year!

Otherworldly sculptured tattoo


Natural, created by aliens or supernatural
Natural, created by aliens or supernatural? “Oooooowoooo” said the wind.

NASA recently published this piece of art.

Is it a tattoo artist’s odd rendering on human flesh? A faded pumpkin awaiting a carving knife? An alien civilization’s long awaited message of hope and salvation? Does someone spy a French imperial symbol amongst the graffiti? Is that proof of some Halloween religious conspiracy?

Actually, the markings are caused by dust-devils roving the ever-changing sands of Mars.

Shall we liken them to the shapes carved long ago by South American indians on the sands of the Alti-plano, or simply marvel at nature’s creative impulses?

What do you think?


HUMAN NATURE MIMICS NATURAL ART – The Solar Forest


 


THE SOLAR FOREST

Neville Mars has shown us a wonderful concept which creates electric power, charges hybrid-electric cars and shades the hotest, some say ugliest parts of our cities. His Solar Forest, animated by Burb.tv makes it easier to cool buildings and saves both money and energy, as well as provides a carbon neutral ‘factory’. It pleases the eye and sense of order. If we simply have to have parking lots, this is the way to go.

From the air these forest-parks, along with the millions of solar rooftops, will display a shining symbol of a renewable future.

Perhaps Mr. Mars will now turn his attention to designing a drop-in, fully self-contained ‘earth-ship’ replacement for all of those eyesore swimming pools, and someone will figure out what to do with the thousands of golf courses which demand so much water and pollute the present and future. Perhaps we should simply let the tree lines take over and have a real forest.


War Stories for My Grandchildren – a memoir
by H. F. Jansen Estrup
Ask for it at your favorite bookstore or local library


Wingless bird flies over the ground


 

SCULPTURE OR DESIGN?


 

This beautifully strange object might be classified as both, for it is fully functional, and it does evoke a futuristic, otherworldly sense for the viewer. 

 

 

 

As a hybrid-electric two-seater, three wheeled transport, the Aptera can cruise freeways at 80mph and get an estimated 300 miles per gallon. The plug-in version gets 100 miles per charge. Both have a drag co-efficiency of 0.15 which enables this ‘earthbound bird’ to flow through the air. Yet even though Aptera seems to mean ‘wingless bird’, it does sport gullwing doors and its cast ‘egg’ shape is re-enforced with steel beams. Passengers are protected by standard air bags and air-conditioning and heat. In California it is permitted to drive in the fast lane without passengers, a sight certain to grab attention of the bumper-to-bumber crowd.

Aptera’s design team is led by Steve Fambro of Southern California and his vision is currently in production. Pricing for the Aptera begins at $25,000 and it is eligible for the current rebates. Reserve your own "2e" for $500 (refundable).

I imagine this piece of art would look just as stunning in your driveway as on city streets or Jay Leno’s garage (check out his endorsement).



GO SOLAR (and wind)! It is a matter of national security! I am not impressed with the auto industry's new 'economy' standards. More than 50 years ago my family and I were driving cars which got 30 or more mpg (VW and Morris Minor) ... we've simply been dragging our feet, letting the cheap oil (and a huge military expense) dictate our foreign policy as if nothing would ever change ... but things have changed and even 50 mpg cars are behind the times!


     

 

 

 

 

 

 

35k year old Venus figurine discovered

 

Sexy “Venus” may be oldest figurine yet discovered

LONDON (Reuters) – A sexually suggestive Venus figurine with oversized breasts and thighs dates back at least 35,000 years and shows ancient humans had sex on their minds, researchers said on Wednesday.The 60-millimetre-long figurine may be the oldest piece of its kind yet discovered and suggests Palaeolithic art was far more complex than many had thought, Nicholas Conard of Tubingen University in Germany wrote in the journal Nature.

Radiocarbon dating indicates the figure excavated from an archaeological dig in southern Germany, near the Danube valley, was at least 35,000 years old, the researchers said.

“The discovery predates the well-known Venuses from the Gravettian culture by at least 5,000 years and radically changes our views of the context and meaning of the earliest Palaeolithic art,” Conard wrote.

“Before this discovery … female imagery was entirely unknown.”

The figurine’s enlarged breasts, bloated belly and thighs also make clear that sexual symbolism was alive and well tens of thousand of years ago, Paul Mellars of the University of Cambridge, wrote in a commentary.

“The feature of the newly discovered figure that will undoubtedly command most attention is its explicitly, almost aggressively, sexual nature, focused on the sexual characteristics of the female form,” he wrote.

“Whichever way one views these representations, it is clear that the sexually symbolic dimension in European (and indeed worldwide) art has a long ancestry in the evolution of our species.”

(Reporting by Michael Kahn; Editing by Julie Steenhuysen)

 

 

 

Truth Figure in U.S. Congress At Last!

Artis Laine’s sculpture of Sojourner Truth was unveiled yesterday in the U.S. Capitol, the first black female to be so honored. After more than two centuries, millions of Americans say, “It is about time!” See the rest of the story in


Estimated number of jobs created by a single payer universal health program – 2 million


I am a proud Sunshine Patriot! Join the movement! GO SOLAR! It is a matter of national security!


Happy 44th anniversary to us!


Jenny Holzer – Alarm in Words and Light

Art Review | Jenny Holzer

Sounding the Alarm, in Words and Light

Ozier Muhammad/The New York Times

Jenny Holzer: Protect Protect, including “Red Yellow Looming,” and other Holzer works from the past 15 years, is at the Whitney Museum of American Art through May 31. More Photos >

 

Published: March 12, 2009

Basically, Jenny Holzer has spent the last three decades pelting us with unsettling and increasingly relevant portents of things to come.

Related

Times Topics: Whitney Museum of American Art

In tones alternately poetic or oracular, inflamed or numb, Big-Brotherly or tender, Ms. Holzer’s terse snippets of prose have warned of evolving threats to life, liberty and the pursuit of happiness. She has tracked the inner thoughts of bereft lovers or shellshocked survivors and articulated the baser instincts unleashed by social chaos.

To do this, she has turned various user-friendly, pop-culture modes of public address into early warning systems, including posters, T-shirts, billboards, broadsheets, plaques, giant projections and incised marble benches. Electronic LED signs are her best-known, most spectacular method; they also reflect the military-commercial-entertainment complex that, bit by bit, her art exposes.

 
Sounding the alarm at the Ides of March – more …

Geo-archeological quiz

 

  

WHERE ON EARTH AM I?

The mysterious people who created this as part of a much larger ‘sculpture’ must have made such desperate pleas as their ecology changed and religion grew more brutally violent; trying no doubt, to sway or otherwise coerce their star speckled dieties.

 If you know the answer, leave a comment. There is no prize, although I may leave your name (but not your answer) for others to see if you are correct. Here is a hint ...

Natural disasters doomed early civilization

WASHINGTON – Nature turned against one of America’s early civilizations 3,600 years ago, when researchers say earthquakes and floods, followed by blowing sand, drove away residents of an area that is now in Peru. “This maritime farming community had been successful for over 2,000 years, they had no incentive to change, and then all of a sudden, boom, they just got the props knocked out from under them,” anthropologist Mike Moseley of the University of Florida said in a statement.

Moseley and colleagues were studying civilization of the Supe Valley along the Peruvian coast, which was established up to 5,800 years ago.

The people thrived on land adjacent to productive bays and estuaries, the researchers report in Tuesday’s edition of Proceedings of the National Academy of Sciences.

The Supe fished with nets, irrigated fruit orchards and grew cotton and a variety of vegetables, according to evidence found by research co-author Ruth Shady, a Peruvian archaeologist. They also built stone pyramids thousands of years before the better known Mayans.

But the Supe disappeared about 3,600 years ago and, after studying the region, the researchers think they know what happened.

They found that a massive earthquake, or series of quakes, struck the seismically active region, collapsing walls and floors and launching landslides from barren mountain ranges surrounding the valley.

In addition, layers of silt indicate massive flooding followed.

Then came El Nino, a periodic change in the winds and currents in the Pacific Ocean, which brought heavy rains that damaged irrigation systems and washed debris into the streams and down to the ocean, where the sand and silt settled into a large ridge, sealing off the previously rich coastal bays.

In the end, land where the Supe had lived for centuries became uninhabitable and their society collapsed, the researchers concluded.

The study was funded by the University of Florida and the Heyerdahl Exploration Fund, University of Maine.

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On the Net:

PNAS: http://www.pnas.org